Sonate (200) Vol.1 (Balla) (Urtext) SCARLATTI DOMENICO

Classique

Contenu

1. I Will Always Love You [Parton, Dolly]
2. Stayin' Alive [Bee-Gees, The]
3. "And All That Jazz (from ""Chicago"") [Kander, John] [Ebb, Fred]"
4. (We're Gonna) Rock Around the Clock [De Night, Jimmy] [Freedman, Max]
5. "Aquarius (from ""Hair"") [Rado, James] [MacDermot, Galt] [Ragni, Gerome]"
6. Arthur's Theme
7. "As Time Goes By (from ""Casablanca"") [Hupfeld, Herman]"
8. "Diamonds Are a Girl's Best Friend (from ""Gentlemen Prefer Blondes"") [Robin, Leo] [Styne, Jule]"
9. "I Could Have Danced All Night (from ""My Fair Lady"") [Loewe, Frederick] [Lerner, Alan Jay]"
10. I Got Rhythm [Gershwin, George] [Gershwin, Ira]
11. "Ding Dong! The Witch Is Dead (from ""The Wizard of Oz"") [Arlen, Harold] [Harburg, E. Y.]"
12. "Don't Rain on My Parade (from ""Funny Girl"") [Styne, Jule] [Merill, Bob]"
13. "Evergreen (Love Theme from ""A Star Is Born"") [Williams, Paul] [Streisand, Barbra]"
14. "Fame (from ""Fame"") [Gore, Michael] [Pitchford, Dean]"
15. "Forty Second Street (from ""42nd Street"") [Warren, Harry] [Dubin, Al]"
16. Get Happy [Arlen, Harold] [Koehler, Ted]
17. "Goldfinger (from ""Goldfinger"") [Bricusse, Leslie] [Barry, John] [Newley, Anthony]"
18. "Good Morning (from ""Singin' in the Rain"") [Brown, Nacio Herb] [Freed, Arthur]"
19. High Noon [Tiomkin, Dimitri] [Washington, Ned]
20. "How Do You Keep the Music Playing? (from ""Best Friends"") [Legrand, Michel] [Bergman, Alan] [Bergman, Marilyn]"
21. It Had To Be You [Jones, Isham] [Kahn, Gus]
22. James Bond Theme [Norman, Monty]
23. "Let's Call the Whole Thing Off (from ""Shall We Dance"") Gershwin, George] [Gershwin, Ira]"
24. Long Ago (And Far Away) [Gershwin, Ira] [Kern, Jerome]
25. "New York New York (from ""On the Town"") [Bernstein, Leonard] [Comden, Betty] [Green, Adolph]"
26. Nine to Five (Main Theme) [Parton, Dolly]
27. "Nobody Does It Better (from ""The Spy Who Loved Me"") [Bayer Sager, Carole] [Hamlisch, Marvin]"
28. Old Time Rock & Roll [Jackson, George] [Jones III, Thomas E.]
29. "Over the Rainbow (from ""The Wizard of Oz"") [Arlen, Harold] [Harburg, E. Y.]"
30. "People (from ""Funny Girl"") [Styne, Jule] [Merrill, Bob]"
31. Put the Blame on Mame [Fischer, Doris] [Roberts, Allan]
32. "Singin' in the Rain (from ""Singin' in the Rain"") [Brown, Nacio Herb] [Freed, Arthur]"
33. "Song from ""M*A*S*H"" (Suicide Is Painless) [Mandel, Johnny] [Altman, Michael]"
34. Stormy Weather [Arlen, Harold] [Koehler, Ted]
35. Streets Of Philadelphia [Springsteen, Bruce]
36. "Summertime (from ""Porgy and Bess"") [Gershwin, George] [Gershwin, Ira] [Heyward, DuBose] [Heyward, Dorothy]"
37. Swinging on a Star [Burke, Johnny] [Van Heusen, Jimmy]
38. "Thank Heaven for Little Girls (from ""Gigi"") [Loewe, Frederick] [Lerner, Alan Jay]"
39. That's Entertainment [Schwartz, Arthur] [Dietz, Howard]
40. The Days of Wine and Roses [Mercer, Johnny] [Mancini, Henry]
41. "The Man That Got Away (from ""A Star Is Born"") [Arlen, Harold] [Gershwin, Ira]"
42. "The Pink Panther (from ""The Pink Panther"") [Mancini, Henry]"
43. "The Rose (from ""The Rose"") [McBroom, Amanda]"
44. "The Trolley Song (from ""Meet Me in St. Louis"") [Blane, Ralph] [Martin, Hugh]"
45. "The Shadow of Your Smile (from ""The Sandpiper"") [Webster, Paul Francis] [Mandel, Johnny]"
46. The Way You Look Tonight [Kern, Jerome] [Fields, Dorothy]
47. "The Wind Beneath My Wings (from ""Beaches"") [Silbar, Jeff] [Henley, Larry]"
48. "The Windmills of Your Mind (from ""The Thomas Crowne Affair"") [Legrand, Michel] [Bergman, Alan] [Bergman, Marilyn]"
49. "Theme from ""New York, New York"" [Lander, John]"
50. Up Where We Belong [Nitzsche, Jack] [Sainte-Marie, Buffy]

Description :

The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering. ) The number of Scarlatti sonatas heard on the concert platform and learned by piano students is relatively small. We can understand this if we consider that the publications including a greater amount of material have not been accessible to the public. For this reason the chief task of this selection is to widen the circle of these few and with reason popular works. At the same time it aims to give a comprehensive view of Scarlatti's sonatas, following the composer's development from the Essercizi of 1738 to the pieces written towards the end of his life.