Operaria Bass 3

Classique

Contenu

Meyerbeer: Voici donc les débris / Nonnes qui reposez (Bertram - Robert le diable)
Meyerbeer: Volontiers, un vieil air huguenot / Piff, paff (Marcel - Les Huguenots)
Glinka: Cujut pravdu! / Ty prijdëš' moja zarja! (Susanin - Žizn' za carja)
Wagner: Gar viel und schön (Landgraf Hermann - Tannhäuser)
Wagner: Gott grüß euch (König Heinrich - Lohengrin)
Wagner: Mein Herr und Gott (König Heinrich - Lohengrin)
Wagner: Hoiho! Hoiho hoho! (Hagen - Götterdämmerung)
Wagner: Tatest du's wirklich (König Marke - Tristan und Isolde)
Wagner: Titurel, der fromme Held (Gurnemanz - Parsifal)
Verdi: Vieni, o Levita! / Tu sul labbro de' veggenti (Zaccaria - Nabucco)
Verdi: E ancor silenzio! / Ma quando un suon terribile (Eremita - I Lombardi alla prima crociata)
Verdi: Che mai vegg'io! / Infelice! e tuo credevi (Silva - Ernani)
Verdi: Mentre gonfiarsi l'anima (Attila - Attila)
Verdi: Vous priez / Oh ! dans l'ombre (Roger - Jérusalem)
Verdi: Grâce, mon Dieu ! / À ce front pâle (Roger - Jérusalem)
Verdi: Ah! tutto m'arride / Il mio sangue (Walter - Luisa Miller)
Verdi: O patria / O tu, Palermo (Procida - I vespri siciliani)
Verdi: A te l'estremo addio / Il lacerato spirito (Fiesco - Simon Boccanegra)
Borodin: Zdorov li, knjaz'? (Koncak - Knjaz' Igor)
Ponchielli: Sì, morir ella de'! (Alvise - La Gioconda)
Mussorgskij: Ešcë odno poslednee skazan'e (Pimen - Boris Godunov)
Tschaikowsky: Cto skažet on? / Gospod' moj, esli grešen ja (Korol' René - Iolanta)
Rimskij-Korsakow: O skaly groznye drobjatsja (Varjažskij gost' - Sadko)
Rimskij-Korsakow: Zabylasja / Ne dumal (Sobakin - Carskaja nevesta)

Description :

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. "It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. " (Peter Anton Ling) OperAria is the ideal “vocal coach” for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria – repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera’s plot an evaluation from the singer’s point of view with “phonetic assistant” and “text assistant” aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download