Consolations, Grand Solo Concert (Hard) LISZT FRANZ

Classique

Contenu

1. La Romanesca. M?lodie du 16e siecle, R 91, SW 252a, NG2 A14: 1st version SH 252i
2. Canzone napolitana. Notturno, R 92, SW 248, NG2 A85 1st version SH 248i
3. Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 1
4. Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 2
5. Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 3 (D'apres une m?lodie hongroise)
6. Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 4 (D'apres un L. D. S. A. I. M. P........)
7. Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 5
8. Consolations, R12, SW 172: 1st version SH171a, NG2 A111a - No. 6
9. Grand solo de concert - Grosses Konzertsolo, R18, SW 176, NG2 A167: 1st version SH 175a
10. Wilde Jagd - Scherzo, R20, SW 177, NG2 A174: 1st version SH 176a
11. Huldigungsmarsch, R 49, SW 228, NG2 A182: 1st version SH 228i
12. Berceuse, R 57a, SW 174, NG2 A186: 1st version SH 174i
13. Magnificat, R 68/1, SW 183/1, NG2 A216: 1st version SH 182a
14. Ave Maria, R 193a, SW 504, NG2 A247: 1st version SH 504i
15. Ave Maria aus den Kirchenchorges?ngen, R 193a, SW 504, NG2 A247: 1st version SH 504i
16. Appendix - Madrigal, R-, SW/SH-, NG2-
17. Appendix - Consolations, R 12, SW 172: 1st version SH 171a, NG2 A111a - No. 6 Album leaf
18. Appendix - Consolations , R 12, SW/SH 172, NG2 A111b No. 1 Album leaf
19. Appendix - Consolations R 12, SW/SH 172, NG2 A111b No. 3 Sketch

Description :

Of the early versions of works included in Supplementary Volume 10, particular interest is expected in the first versions of the notably popular Consolations cycle and the monumental Grand solo de concert of 1850. In the first version of Consolationsthe third movement was a style hongrois piece whose thematic material Liszt used again later in the first piece of the Hungarian Rhapsodies published in 1851. The first version of the Grand solo de concert shows that the original concept did notinclude the slow “movement” that would be placed in the middle of the work and recapitulated towards the end in the final version - a characteristically Lisztian feature that would reappear a few years later in the Sonata in B flat minor. A detailed preface in Hungarian, English and German, including new research results, numerous manuscript facsimiles and critical notes make this volume of the New Liszt Edition a specially important publication of scholarly value. Simultaneously withthe Complete Edition volume in colth-bound, its paperback for practical purposes is also published, the contents of which, except for the critical notes, is identical with the Complete Edition volume.