Classique
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General Introduction
Zur Ausgabe
Preface to this Volume
Zum vorliegenden Band
Facsimiles
Composer / Author:
Gade, Niels Wilhelm
Frühlings-Phantasie op. 23
Instrumentation:
Sopran solo (2), Tenor solo, Bass solo, Klavier, Orchester
Librettist:
Lobedanz, Edmund
Composer / Author:
Gade, Niels Wilhelm
Frühlings-Botschaft op. 35
Instrumentation:
Gemischter Chor (SATB), Orchester
Librettist:
Geibel, Emanuel
Composer / Author:
Gade, Niels Wilhelm
Die heilige Nacht op. 40
Instrumentation:
Alt solo, Gemischter Chor (SATB), Orchester
Librettist:
Platen, August von
Composer / Author:
Gade, Niels Wilhelm
Ved Solnedgang (Beim Sonnenuntergang) op. 46
Instrumentation:
Gemischter Chor (SATB), Orchester
Librettist:
Munch, Andreas
Critical Report
Description :
The four works presented in this volume – "Frühlings-Phantasie” op. 23, "Frühlings-Botschaft” op. 35, "Die heilige Nacht" op. 40 and „ Beim Sonnenuntergang" op. 46 – were composed between 1852 and 1870. All of these works belong to the "concert piece” genre, as the title pages of the respective first editions suggest.
The works' instrumentation is varied: While „ Frühlings-Botschaft " and „ Beim Sonnenuntergang" are composed for mixed choir and orchestra, "Die heilige Nacht” calls for an additional solo alto. "Frühlings-Phantasie” is not scored for choir at all, juxtaposing the orchestra with four solo voices and piano. Gade based his texts on poems by Edmund Lobedanz (op. 23), Emanuel Geibel (op. 35), August von Platen (op. 40), and Andreas Munch (op. 46).