Neue Liebeslieder / Walzer (Waltzes) Op. 65 BRAHMS JOHANNES
Classique
Contenu
Faksimile
Die "Liebeslieder-Walzer" von Brahms und die zyklische Chormusik im 19. Jahrhundert. Symposium in der Zentralbibliothek Zürich 15. November 2010:
Composer / Author: Fischer, Urs
Einleitung: Das Autograph der "Neuen Liebeslieder" op. 65
Composer / Author: Müller-Lhotska, Urs A Avenue d'Ouchy and Johannes Brahms' "Neue Liebeslieder" op. 65
Composer / Author: Biba, Otto
Brahms' "Liebeslieder-Walzer" in der Wiener Gattungstradition
Composer / Author: Fuchs, Ingrid
Brahms' klavierbegleitete Duette und Quartette in Wien - Zwischen Salon und Konzertsaal
Composer / Author: Sandberger, Wolfgang
Die Chorlieder op. 62 - Überlegungen zur Idee des Zyklischen
Composer / Author: Groote, Inga Mai
"In der Weise der alten deutschen Kirchen- und Volklieder" - Zum Ton der "Marienlieder" op. 22
Composer / Author: Wiesenfeldt, Christiane
Opus inter paria? Zum Spannungsverhältnis von Werkbegriff und Fassungsspektrum in "populärer" Vokalmusik bei Brahms
Kurzbiographien der Autoren
Description :
"… and so gladly would I have given you a hundred-thousand kisses!”- Georg Friedrich Daumer
A circle of friends as a vocal quartet alternating with solo voices and two good pianists - Brahms wrote his "Liebeslieder Walzer” not for the grand concert hall but as chamber music for use at home. His first collection op. 52 was so successful that in 1874 he wrote a new set on poems by Daumer and Goethe entitled "Neue Liebeslieder”.
In 2010 the Swiss bank UBS placed the autograph of the Neue Liebeslieder on permanent loan to the music room of the Zentralbibliothek Zürich.
For this occasion the library, together with the Brahms Institute of Lübeck University of Music and the musicology department of Zurich University, organised a symposium on the "Liebeslieder Walzer” and their context.
Brahms' lavishly reproduced manuscript appears in its own hand-stitched volume accompanied by the papers featured at the authoritative symposium in a separate booklet. All of this is presented in a handsome cloth-bound box along with an audio CD, allowing the work to be experienced both visually and aurally.