English Medievl And Renaissance GREENBERG STEVE

Classique

Contenu

A Robyn Gentil Robyn (William Cornysh)
About The May Pole (Thomas Morley)
Agnus Dei (Thomas Tallis)
Alas Departynge Is Ground Of Woo (Anonymous)
Alas, What Hope Of Speeding (John Wilbye)
Alleluya Psallet (Anonymous)
Angelus Ad Virginem
Beata Progenies (Leonel Power)
Blow Thy Horne Hunter (William Cornysh)
Blow Thy Horne Thou Jolly Hunter (Thomas Ravenscourt)
Cease Mine Eyes (Thomas Morley)
Crist And Sainte Marie (St. Godric)
Death Hath Deprived Mee (Thomas Weelkes)
Deo Gracias Anglia (Anonymous)
Edi Beo Thu Heven Quene (Anonymous)
Emendemus In Melius (William Byrd)
Gloria (John Taverner)
He That Will An Ale-house Keepe (Thomas Ravenscourt)
I Goe Before My Darling (Thomas Morley)
Jusy Cristes Milde Moder (Anonymous)
Leave Alas This Tormenting (Thomas Morley)
Man Mei Longe (Anonymous)
New Oysters (Thomas Ravenscourt)
Nova, Nova (Anonymous)
Nowel Syng We Bothe Al And Son (Anonymous)
Nunc Dimittis (Thomas Tomkins)
O Lord Turne Not Away Thy Face (Thomas Ravenscourt)
O Lord, Increase My Faith (Orlando Gibbons)
O My Hart (King Henry Viii)
Oken Leaves (Thomas Ravenscourt)
Quid Petis O Fili (Richard Pygott)
Remember O Thou Man (Thomas Ravenscourt)
Salvator Mundi (Thomas Tallis)
Sancta Maria (John Dunstable)
Sanctus (Roy Henry)
Sumer Is Icumen In (Anonymous)
Susanna Fayre Sometime Assaulted Was (William Byrd)
Tan Ta Ra Ran Tan Tant (Thomas Weelkes)
Thus Saith My Cloris Bright (John Wilbye)
Tosse Not My Soule (John Dowland)
Wee Be Three Poore Mariners (Thomas Ravenscourt)
Weepe Forth Your Teares (John Ward)
What If I Never Speed [Dowland, John]
What Shall I Part Thus (George Kirbye)
When First By Force Of Fatall Destenie (William Byrd)
With Owt Dyscorde (King Henry Viii)
Worldes Blis Ne Last (Anonymous)

Description :

This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg