Keyboard And Organ Works From Copied Sources: Polyphonic Works FROBERGER JOHANN JACOB

Classique

Contenu

Vorwort:
Quellen
Bemerkungen zu den Werken
Neue Lesearten
Ornamentik
Preface:
Sources
Comments on the Works
New Readings
Ornamentation
Facsimiles
Works of Certain Authenticity:
Fantasia G-Dur FbWV 207
Fuga d-Moll FbWV 307
Fuga C-Dur FbWV 413
Ricercar C-Dur FbWV 413a
Fuga d-Moll FbWV 414
Fuga F-Dur FbWV 415
Fuga d-Moll FbWV 416
Capriccio 4ti toni e-Moll FbWV 502a
Fuga Quinti Toni C-Dur FbWV 504a
Fuga g-Moll FbWV 505a
Capriccio G-Dur FbWV 509
Fuga Octavi Toni G-Dur FbWV 509a
Capriccio G-Dur FbWV 509b
Capriccio d-Moll FbWV 510
Capriccio d-Moll FbWV 510a
Capriccio F-Dur FbWV 512
Canzona F-Dur FbWV 512a
Capriccio e-Moll FbWV 513
Capriccio C-Dur FbWV 518
Capricio a-Moll FbWV 519
Fuga 3ti toni a-Moll FbWV 519a
New Readings:
Fantasia: Sopra, VT, RE, MI, FA, SOL, LA C-Dur FbWV 201
Fantasia e-Moll FbWV 202
Fantasia F-Dur FbWV 203
Fantasia: Sopra Sollare G-Dur FbWV 204
Canzon d-Moll FbWV 301
Canzon g-Moll FbWV 302
Canzon F-Dur FbWV 303
Canzon G-Dur FbWV 304
Canzon a-Moll FbWV 306
Ricercar C-Dur FbWV 401
Ricercar C-Dur FbWV 407
Addenda to Volume 1
Appendix I: Doubtful Work:
Fantasie. Duo d-Moll FbWV 208
Appendix II: Spurious Arrangements:
Capriccio F-Dur FbWV 303
Fuga F-Dur FbWV 303
Critical Commentary

Description :

Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of composition representing a synthesis of Italian, French and English influences, thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.
The text to each volume of the complete edition of Froberger's organ and keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger's biography.

Volume V.2, like the previously published volume V.1, contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity, new readings and two appendices containing works of doubtful authenticity and spurious arrangements.

- Definitive complete Urtext edition
- At the cutting edge of scholarship
- Detailed explanatory notes