Organ And Keyboard Works FRESCOBALDI GIROLAMO

Classique

Contenu

Dankesworte
Acknowledgments
Preface
Facsimile: "Tavola" [Table of Contents]
"Il Primo Libro di Capricci", Roma, 1624
Table 1: Triple Tima in "Il Primo Libro di Capricci", 1624
Examples 1-2
Vorwort
Abbreviations and Symbols
Frescobaldi's Preface to the "Capricci"
Il Primo Libro di Capricci fatti sopra diversi Soggetti, et Arie (Rom, Soldi, 1624):
Composer / Author: Frescobaldi, Girolamo
Capriccio Primo, sopra Ut, re, mi, fa, sol, la
Composer / Author: Frescobaldi, Girolamo
Capriccio Secondo, sopra La, sol, fa, mi, re, ut
Composer / Author: Frescobaldi, Girolamo
Capriccio Terzo, sopra il Cucho
Composer / Author: Frescobaldi, Girolamo
Capriccio Quarto, sopra La, sol, fa, re, mi
Composer / Author: Frescobaldi, Girolamo
Capriccio Quinto, sopra la Bassa Fiammenga
Composer / Author: Frescobaldi, Girolamo
Capriccio Sesto, sopra la Spagnoletta
Composer / Author: Frescobaldi, Girolamo
Capriccio Settimo, sopra l'Aria "Or che noi rimena" in partite
Composer / Author: Frescobaldi, Girolamo
Capriccio Ottavo Cromatico, di Ligature al contrario
Composer / Author: Frescobaldi, Girolamo
Capriccio Nono, di Durezze
Composer / Author: Frescobaldi, Girolamo
Capriccio Decimo, Obligo di cantare la Quinta parte senza toccarla
Composer / Author: Frescobaldi, Girolamo
Capriccio Undecimo, sopra un Sogetto
Composer / Author: Frescobaldi, Girolamo
Capriccio Duodecimo, sopra l'Aria di Rugiero
Appendix:
Composer / Author: Ruffo, Vincenzo
La, Sol, Fa, Re, Mi
from "Capricci in musica a tre voci" (Milano, 1564)
Composer / Author: Frescobaldi, Girolamo
Capriccio Ottavo from the present book in open score
Die Quellen
The Sources
Zur Edition
Editorial Policy
Critical Commentary
Verzeichnis der Faksimiles
Facsimiles that Appear in the Present Edition

Description :

Girolamo Frescobaldi's music profoundly influenced such composers as Froberger, Buxtehude, Johann Sebastian Bach and Muffat.
The well-known Pidoux edition is now joined by Bärenreiter's definitive new Urtext edition in six volumes. It offers professional musicians, musicologists and music lovers an unrivalled musical text that satisfies the needs of performers while providing a full account of the works' genesis and surviving sources.
Each volume in this new edition features a detailed Foreword on the genesis of the works, the situation regarding sources, performance practice as well as the editorial method employed. A Critical Commentary rounds off each volume.
- Definitive Urtext edition in six volumes
- At the cutting edge of musical scholarship
- Detailed Foreword, Critical Commentary and list of sources (Ger/Eng)