• Date de parution : 01/06/2023
  • ISBN : 9781705147535

Piano Music by Women Composers: Book 2

Piano

Recueil
Éditeur : Hal Leonard
Référence : HL 00370901
27,10

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Classique

Contenu

MÉLANIE BONIS: Grand Spanish Waltz in A Major
It's Raining! CÉCILE CHAMINADE: Little Waltz in B-flat Major from Children's Album (Volume 2), Op. 126, No. 12
Melancholy from Two Pieces, 25, No. 1 FREDRIKKE EGEBERG; Song Without Words in E-flat Major from Six Songs Without Words for Piano LOUISE FARRENC: Etude in F Major from 25 Intermediate Studies, Op. 42, No. 5
Etude in G Major from 12 Studies in Dexterity, Op. 41, No. 2
Melody in A-flat Major EMMA HARTMANN: Piano Piece in A-flat Major from Piano Pieces, Op. Posthumous, No. 4 CÉCILE HARTOG: Summer Song MARIE JAËLL: Friendly Teasing from The Good Days
The Shepherd and the Echo from The Good Days
Whispers of the Forests from The Good Days NATALIA JONATHA: Edelweiss JOSEPHINE LANG: Homesickness from Three Piano Pieces
Minuet: Sadness from Three Piano Pieces KATE LODER: Mazurka in A minor MARIANNA MARTINES: Allegro from Sonata in A Major EMILIE MAYER: Impromptu in A-flat Major, Op. 44 FANNY MENDELSSOHN: Melody in E-flat Major from Six Melodies for the Piano, Op. 5, No. 6
Larghetto from Four Songs for the Piano, Op. 8, No. 3 ADELE AUS DER OHE: A Legend from Four Piano Pieces, Op. 9, No. 1 FANNY SCHOLFIELD PETRIE: Sorry
Joy DELPHINE VON SCHAUROTH: Song Without Words in E minor from Six Songs Without Words, Op. 18, No. 4 CLARA SCHUMANN: Romance in A minor, WoO 28 (1892 version) ANNA STUBENBERG: Austrian Dance in A-flat Major from The People of Kapfenberg, Op. 67, No. 5 MARIE SZYMANOWSKA: Polonaise in E minor from 18 Dances in Different Genres for Piano
Quadrille in F Major from 18 Dances in Different Genres for Piano STEPHANIE VRABELY: Pensée musicale

Description :

"Upon embarking on this project, I had little idea of what I would find. There were, of course, the "usual suspects:" women composers whose name and whose music have stood the test of time and are familiar to many. There were also those whose names ring a bell but whose music does not. The real unknowns were, well, the unknowns. How many women composers whose music is worth studying and listening to were out there? (...) When selecting, I searched for the following: beautiful interesting compositions that students can benefit from and will love learning, teachers will enjoy teaching, and audiences will appreciate; a variety to styles, composers, and nationalities; showcasing as many composers as possible, while striking a balance between well-known, lesser know, and unknown composers." - Immanuela Gruenberg, in the Preface. These brand new collecions come in two volumes, with book 1 arranged for upper elementary to early intermediate pianists, and Book 2 arranged for intermediate to upper intermediate level pianists.

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