Play Baroque! EAST ANGELA

Classique

Contenu

Musette from Notebook for Anna Magdalena Bach (JS Bach)
Winter from Der getreue Music-Meister (Telemann)
Curtain Tune from The Tempest (Locke)
Hallelujah (short version) from Messiah (Handel)
Dido’s Lament from Dido and Aeneas (Purcell)
March from Notebook for Anna Magdalena Bach (CPE Bach)
Polonaise from Notebook for Anna Magdalena Bach (CPE Bach)
La Néapolitaine from Suite No. 2 in D (Louis de Caix d’Hervelois)
Crown the Altar from Celebrate this Festival (Purcell)
Rigaudon from Pièces de clavecin (Rameau)
The trumpet shall sound from Messiah (Handel)
Sound the Trumpet from Come Ye Sons of Art (Purcell)
Air Trompette from Der getreue Music-Meister (Telemann)
The Witches’ Dance from The Queen’s Masque (Johnson)
Spanish Dance from Trattado de glosas (Ortiz)
Air (Arne)
Vivace from Symphony No. 3 (Boyce)
Gavotta from Violin Sonata, Op. 5, No. 10 (Corelli)
Giga from Violin Sonata, Op. 5, No. 10 (Corelli)
Caprice from Pièces de violes, 4e livre (Marais)
Hallelujah from Messiah (Handel)
Concerto in D minor from L’estro armonico, Op. 3, No. 6 (Vivaldi)
Nulla in mundo pax sincera (Vivaldi)
Music for a while from Oedipus (Purcell)
Here the deities approve from Welcome to all the Pleasures (Purcell)
Miserere (Allegri)
Why do the nations so furiously rage together? from Messiah (Handel)

Description :

This fascinating introduction to the world of Baroque style and technique is perfect for players both young and adult who are learning on the modern Cello. Play Baroque! contains Twenty-six masterpieces from the Baroque period, arranged and edited for Cello with teaching notes and Piano accompaniments. Angela East provides lively insights into bowing, fingering, vibrato and other aspects of baroque performance practice that are sure to enhance the study of this repertoire for all teachers. This book will also appeal to those who wish to study a historical style to enhance their experience of learning the instrument. Suitable for performers of a wide range of abilities, from beginners to confident performances at an intermediate level, this practical, accessible guide is of invaluable benefit to any cellist who wants to learn about the Baroque style.