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Pédagogie
Contenu
The Harp prior to the Pedal Operated Mechanism in the Eighteenth Century 2 Inventors of the First Pedal Systems and Appearance of The First Method (1762)
Harp Makers, Composers, Method Writers and Female Predominance
Approaches to Strings and Tuning and the Use of Different Materials
Seating and Playing Positions
Hand Positions, Gestures and Movements
Principles of Fingering, Tone Production and Care of the Hands
Introduction to the Pedal Mechanism, Design Ideas and Single and Double Action Harps
Eighth and Ninth Pedals, Damping Techniques, Harmonics as Played and Notated
Effects Examined and Ensembles of Harps
Modulation, Style of Performance and How to Practise
Health and Harp-Playing
Matters Ignored in Methods, Glissando Pedal Settings
Later Advances in Harp Design and Decoration
Modern Aids for the Player
Beginnings of the Pedal Harp Repertoire and Harps in London in the 1790s
Later Repertoire to mid Twentieth Century, and Ensemble and Orchestral Use of the Harp
The Harp and Spiritual Awareness: The Use of Language Pertaining to the Harp. Celtic Symbolism
The Harp and Religion: King David and Angels
Social Connections, from Royalty to Street Musicians
Poetic and Literary Associations and Representations: the Harp as an Aid to Romance
Discordant Voices
The Harp in the Theatre and Cinema
Envoi: The Harp as an Emblematic or Ornamental Device. A Recent Scientific Achievement and Maintaining Ideals
Description :
The Harp prior to the Pedal Operated Mechanism in the Eighteenth Century 2 Inventors of the First Pedal Systems and Appearance of The First Method (1762) Harp Makers, Composers, Method Writers and Female Predominance Approaches to Strings and Tuning and the Use of Different Materials Seating and Playing Positions Hand Positions, Gestures and Movements Principles […]
